Symposium Poster Available

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Symposium Program Now Available

Activist Performance in/and Canada

Graduate Symposium Hosted by York University

12 April 2012

Accolade East, York University

4700 Keele Street, Toronto, Ontario M3J 1P3

Thursday 12 April

8:30            Morning Coffee and Registration

9:00 Opening Comments

Keynote address by Catherine Graham, McMaster University

10:15 Session 1 

Panel – Room 207 

Women, Theatre, and Feminist Activism in Canada at the Turn of the Twentieth Century

Organized by Kym Bird, York University

Panelists:

Lauren Orav, York University

Rachel Dowzansky, York University

Aaron Cappe, York University

Hannah Erickson, York University

Jade Nauman, York University

Panel – Room 209

Embodied Activisms in National Politics 

Presenters

Lauren Fournier, Simon Fraser University

“Performing Activist Narratives: Embodiment, Subjectivity, and Civic

Engagement in Canadian Environmental Movements”

Jay Heisler, St. Paul University

“Protest as Propaganda: Examples from Burma and Iran”

Helene Vosters, York University

“Towards a Poetics of Shared Vulnerability: Re-Imagining Canadian Military Memory Projects”

11:45 Catered Lunch Break

1:00 Session 2

Panel – Room 207

Disability Narratives, Performance and Institutions: Negotiating Critical Approaches to Self-Advocacy, Activism, and Collaborative Practice

Panelists:

Joshua Palmer, Compass

Romeo Pierre, Compass

Isabel Mackenzie Lay, Compass Drop-In Coordinator, reachOUT

Onyinyechukwu Udegbe, sprOUT Project Coordinator, Community Connections and reachOUT

Tess Vo, Supervisor, reachOUT

Workshop – Room 209

El Che, Vive! Ripping Up “Collage Theatre”

Presented by theatre collective Apus Coop and Tristan Castro Pozo, GBC

2:30 Break

2:45 Session 3

Panel – Room 207

Proclaiming the Self: Activisms, Activations, and Assertions of Difference

Presenters

Catherine Bernardi, McMaster University

“Outreach or Activism?: Artists as Social Actors in Toronto”

Karen Kugelmass, York University

“In/visibility in performances of disability: the beginning of a dissertation”

Shannon Roszell, York University

“Disclosure as Activism: Depression, Dogs, and Dialogue”

Workshop – Room 209

Sing. Chant. Speak. Repeat: Considering the Sounds of Occupy Toronto

Presented by Laine Yale Zisman Newman, Ryerson University

4:30 Session 4

Performance – Room 209

“Straight Talk”

Presented by Kim McLeod, York University, and Dave Messer, Independent Artist

6:00 Wrap-up

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Call for Papers: Activist Performance in/and Canada A Graduate Symposium at York University, 12 April 2012.

Call for Papers: 

Activist Performance in/and Canada 

A Graduate Symposium at York University, 12 April 2012.

The First Annual York University Department of Theatre Graduate Symposium on Theatre and Performance in/and Canada:

Activist Performance in/and Canada

Activist actions, while largely studied within the contexts of the social sciences, have remained a relatively untilled field of fertile ground for analysis within theatre and performance studies, particularly within the Canadian context. Analysis of the overlapping aims, contexts, and histories of political theatre, performance art, and activism is particularly relevant now, as groups in theatrical and public domains are increasingly using performative tactics to engender economic, political, social, and environmental change. Examples of such “activist performances” and “performative activisms” include the Occupy Movement, street theatre, political graffiti, culture jamming, post-colonial performance, and craftivism.

Through these activist interventions, both overt and intrinsic, we can begin to see that what constitutes activist actions, activist performance, and activism(s) are themselves ripe for reexploration and renegotiation in our increasingly globalized and nationalistic communities.

This one day symposium features a keynote address by Dr. Catherine Graham, Associate Professor of Theatre & Film Studies at McMaster University, and an evening of curated performances that take at their core and impulse, expression, or interrogation of activism in/and Canada.

The symposium will be held on 12 April 2012 in Toronto, ON.

We invite papers, curated panels, workshops, and performances that consider the relationship between performance and activism within the Canadian context. Topics to be considered might include but are not limited to:

 

  • How might the term “activism” be reimagined or redefined in relationship to the act of performance?
  • What is the role of performance in effecting/affecting political, social, and environmental change?
  • How might we imagine performers and activists forging relationships to work collaboratively in effecting/affecting change?
  • What are some of the ways in which Canadian performances respond to and address activist issues?
  • How does Canada’s colonial legacy affect national activist performances?
  • How does Canadian activism differ from activism in other geopolitical contexts?
  • How are activists employing theatrical techniques in the staging of their protests?
  • What are “activist” audience members? How do activist audiences promote change at particular performances?
  • In what ways can particular traditions/movements of performance (e.g. theatre of the oppressed, post-colonial theatre, Aboriginal theatre, sustainable theatre, ecocritical theatre, queer theatre etc.) be taken up in relation of ideas of activism?

Please send proposals of 250-words or less by January 31, 2012 to: activist.performance.york@gmail.com. Please include your full name, email address, and affiliation along with a short (100 word) bio.

Dr. Graham’s research centres on the role of activist theatre in building public discourse and encouraging the participation of marginalized social groups in the development of public life. She is currently working on a book project with the working title Performance as Public Thought.

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